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I was a factory worker in the past. In 1993, a co-worker had to go home to help plant his family’s wheat crop. His leave request was not approved by the shift leader. So, I went to cover him.
When looking at his work in the past, I thought I should be able to do it. In reality, it was not that simple. I was not skillful in operating the machine. The machine pulled my right hand in. When I dragged the arm out, I had no flesh in my hand and arm, only a long, bare bone left.
The doctor at the hospital took a look and told me that I must have amputation. The upper arm bone was fractured; however, he could reconnect it back.
When I slowly woke up from the surgery, I saw that my entire right arm…, my right arm was like, so short , only 5, 6 cm long.
Actually, the doctor had told me very clearly before the surgery that the amputation would only be limited to my hand. This is just not fair at all. I was furious. How could he be a doctor? What medical ethics did he have?
I cried my heart out at that time. I got very upset. I did not even want to go out of my room. I got a room from the company. I didn’t go out at all and felt that it would be embarrassed to go out and see people. Why do I get such bad luck?
I was depressed all day long and also could not get along with my wife. I would smash bowls or chopsticks whenever things didn’t go my way. That happened a lot. When I popped open a bottle of white wine, I would have a big, long gulp. In one morning, I could almost finish a bottle with only a few drops left. I buried myself in the alcohol at home. Once I am drunk, I lose my temper. I almost had a mental breakdown and lost confidence in my life.
It started out from doing a favor, to help out my co-worker. How did it make me to become a handicapped person? How could such a thing happen to me? Even the hospital mistreated me in that way. The whole society did not treat me fairly. I also didn’t see justice from the Heavenly God…….
One day, my daughter told me: “Father, I will take you to a Buddhist center. Go learn Buddhism. Buddhism will be good for you, and for our family. Chant “Namo H.H. Dorje Chang Buddha III!”
“What did you tell me to chant?”I said, “I have only heard about Amitabha Buddha. Why didn’t I know about H.H. Dorje Chang Buddha III?”
Starting from that day,I would head to the Buddhist center and then listened to the Dharma discourses every day.I started to learn Buddhism at the Buddhist center. I listened to the discourse on the Law of Cause and Effect. I listened to many pre-recorded dharma discourses, such as The Dharma to Cut Off the Twenty Worldly Emotions, etc.
Eventually I understood that everything is a result of the Law of Cause and Effect.
I listened to The Dharma to Cut Off the Twenty Worldly Emotions a few more times. I also listened more times to the discourse on the Law of Cause and Effect.
I gradually realized that the loss of my right arm was not without a cause. Whether in my past lifetimes or in this lifetime, I have harmed so many living beings. This bit of suffering is what I deserve. When I took the lives of other living beings in the past, I caused them sufferings.
Through the learning, I slowly understood the truth about the Law of Cause and Effect. The hatred in my mind also gradually vanished.
Every day I did prostrations and listened to the dharma at the Buddhist center. I then made a resolve.
Since I have learned and understood the truth of the Law of Cause and Effect, I will now repent to all the living beings I have killed or harmed. I will repent to them. With the utmost respect, in front of the Buddhas and Bodhisattvas, I will repent with my most pious heart.
I will do 100,000 prostrations for repentance. In less than four months, I completed 100,000 prostrations. H.H. Dorje Chang Buddha III told us, only cultivation can transform the Law of Cause and Effect.
The retribution I am receiving right now is caused by what I have done in many lifetimes and eons ago. From now on, I will follow and learn from H.H. Dorje Chang Buddha III and cultivate myself.
As long as I plant good causes. I will definitely get good fruition in the future. I am determined to follow and learn from the Buddha and cultivate myself until I attain accomplishment.
Please see below the answer of whose work is the best among
Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III
I have spent more than 60 years of my professional life in the field of painting. During the many decades of practice and experiences, I have come to know many famous painters. That is especially the case since I became the Head Consultant for authenticating paintings and calligraphy at the National Museum of China in Beijing. As an appraiser and authentication officer of paintings and calligraphy, the bulk of my work is to verify the authenticity of Eastern and Western paintings. I have reviewed tens of thousands of famous paintings, especially the rare and precious works of the maestro Vincent van Gogh of the Netherlands, and those of the champion of Eastern paintings, Qi Baishi of China.
Both Van Gogh and Qi Baishi were great world-renowned masters in art. One represented the apex of Western art and the other was a master of an extreme class in the field of Eastern paintings. Both artists had drawn from the essence of the classical traditions of their respective cultures. They created new styles of art and new ways of seeing the universe. They broke new grounds and became pioneers of new eras, each becoming a creative guru of his time, developing a distinct style of his own and leading new trends that inspired later generations. Their works reflect the different essences of the Eastern and Western traditions. To what extent can their works influence the artistic civilization of the world? What kind of artistry did they achieve that made them upright monuments in art history and admired by so many people?
Some art critics compared the works of Van Gogh and Qi Baishi to see which of them reached a higher level of accomplishment. They concluded that both have their own merit, both are undefeated champions in the art and both reached the pinnacle of artistry. Recently, some art critics also brought up the oil painting Sunflowers and the ink-wash painting Sunflowers, both created by H.H. Dorje Chang Buddha III, and gave them rave reviews. They went on to compare the works by Vincent van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, trying to establish which of the three artists is the champion of the champions. The result of comparing the works by Van Gogh, Qi Baishi and H.H Dorje Chang Buddha III is tremendously inspiring.
Ever since the Renaissance, Western artists had placed emphases on rational analysis and the realist portrayal of forms. They used light, texture and details to present the realistic, three-dimensional perspective. A few centuries later, Van Gogh rejected the monotony of such use of light and shadow and the realistic portrayal of figures. He pioneered the movement of impressionism that suited him well by applying a mix of colorful, brilliant, splendid and vigorous brushstrokes. He became a great master of his time and his name was forever etched onto the monument of Western civilization and art.
Whenever people think of Van Gogh, they think of his unique character, the sparkles in his eyes that emit lightning, his vigor and his incessant pursuit of inspiration in art without any regard to external hardships. Van Gogh was an artist by birth. He was of exceptional confidence and was somewhat neurotic. Having such traits, he pursued the art that he loved without any reservation or hesitation. He loved his works and regarded everything else with disdain. He preferred to be a loner in the world and did not care to make acquaintance of other painters of his time. His works are full of luminous colors, the brushstrokes are like rising winds and racing clouds in the sky. In his art, he depicted pasture, figures, flowers and other subject matters with brisk colors. Every brushstroke was transformed from his inner emotions. Such emotions were fully and colorfully captured in his Self-Portrait as well as in the transcendental Sunflowers that he painted. These works contain an animated spirit that is deeply moving.
From Van Gogh’s artistic spirit and intent, we can detect that he was profoundly knowledgeable about Chinese ink-wash paintings. Precisely because of this, while depicting forms and applying colors, he employed the skills of using the center tip of the brush and parallel brushstrokes. His Still Life with Bible was created with parallel brushstrokes. In his Self-Portrait, he portrayed his face filled with lines and plaques that are extraordinary. It is not hard for us to discover that he drew inspirations from the substance and essence of Chinese painting in those brushstrokes. That is why Van Gogh is such a distinguished, unparalleled artist of his time and his works are superior to those by the other Western oil painters such as Cezanne, Gauguin or Picasso of the same era.
Van Gogh’s artistic style was closely linked not only to Chinese civilization in the East, but also to the classical Renaissance art, Pointillism, German Expressionism, and Impressionism in the West. Toward the end of his life, he came into oneness with the universe and immersed himself in a carefree state of mind to “follow wherever nature might lead.” As such, he was no longer aware of his own existence. In his mind, there was only the art and the universe. “Following where the nature may lead” is the essence of the ideology of the Chinese philosopher Laozi. Van Gogh cut off his ear with a knife. He lost himself completely in painting. That was his unspoken resentment and rejection of the unfair treatment imposed on him by the society.
Qi Baishi was profoundly knowledgeable about impressionist, fauvist, and realist paintings. By adopting the essence of Western painting and incorporating the traditional spirit of Eastern art, he developed his unique style and became the master of Chinese painting of the twentieth century. His brushstrokes were solid and poised, evincing a sense of power that went all the way through the paper. Using sheep-hair brushes, he elicited calligraphic skills to create his paintings. Qi Baishi’s lines are bold and robust, embodying a forceful spirit that can move mountains. At the same time, these lines are flexible, sturdy and round, with similar qualities to the lines of wire-drawing. His compositions emerged naturally from the spontaneous movement of the brushes. Such compositions are accompanied by vigorous calligraphy resembling the strength, power and fluidity of stone inscriptions.
The artistic concept of spontaneously “following where nature may lead” is precisely derived from Laozi’s philosophy and the artistic civilization of the Chinese ethnicity. Qi Baishi favored the use of white space in his paintings. The white space in black-and-white Chinese ink-wash paintings is considered a solid color. Ink can be differentiated in nine shades (or five shades according to ancient Chinese text.) That is to say, the white of the paper per se and the black of the ink are all considered as colors. There is a sense of meticulous precision in the artworks by Qi Baishi. He depicted insects such as grasshoppers, mantises and butterflies in meticulous and vividly colorful ways. In some of his artworks, the artist was able to express his ideas by putting down just a few brushstrokes without any conscious intent, while arriving at a state of oblivion of his own existence. Anything depicted by his brushes was vivid and vibrant, with the subject matter coming alive on the paper. There is an aura that moves our heart and soul. All in all, Qi Baishi’s paintings were executed with a confident brushwork that naturally achieved a kind of childlike charm.
Recently, some people compared the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III to see whose works are more superior and outstanding, or will have a broader and more far-reaching influence on later generations. I have viewed quite a lot of the artworks by Van Gogh, Qi Baishi and H.H. Dorje Chang Buddha III. I started the study and appreciation of the paintings by Qi Baishi under the enlightening guidance of my teacher when I was 9, and when I was 14, I began to study and appreciate the works by Van Gogh. It has since been several decades!
At the same time, since I have admired the art of H.H. Dorje Chang Buddha III for a long time, to satisfy my desire and wishes I flew from New York to San Francisco to visit the International Art Museum of America, and to Los Angeles to visit the H.H. Dorje Chang Buddha III Cultural and Art Museum in order to see their collections. I was profoundly impressed by the architecture of both museums which is grand and dignified. Both museums have a collection of the authentic works by H.H. Dorje Chang Buddha III. There are various artworks that are created with different kinds of material. Some are bold and forthright, some are charmingly meticulous and astounding. The oeuvre is not made up of just one single style.
Yet, the only artwork that was not available for viewing is the Sunflowers painted by H.H Dorje Chang Buddha III. When I hear that some art critics are comparing the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, I naturally feel, from my experience of having studied the works by Van Gogh and Qi Baishi for a number of decades, that although their artistry are similar in levels, it is possible to say who is the best if we are just to compare the sunflowers painted by the three artists, when we include in the compositions, colors, brushwork, lines, vitality, spirit and so on. With all these elements in consideration, it is possible to do the comparison and conclude who painted the best, or in other words, whose works can bring the most joy and delight to people, or whose art will be most influential to the philosophy, artistic concept and entire civilization of this world.
Therefore, without any ambiguity, we concluded. In terms of character and morality, Van Gogh would be the last of the three. In terms of level of skills, Qi Baishi would also be ahead of Van Gogh, who is, however, already the cream of the crop in western civilization. Being the Buddha living in the current century, H.H. Dorje Chang Buddha III saves living beings with great loving compassion. He is not embodied in an ordinary being. Needless to say, the level of cultivation of the Buddha is superior to that of Van Gogh and Qi Baishi. In terms of creativity and painting skills, how can any ordinary being even hold a candle to the Buddha? In this way, the comparison result is immediately determined.
When those art critics carried out the detailed research of the Sunflowers by Van Gogh and Qi Baishi as well as H.H. Dorje Chang Buddha III, they copied the artworks by all three artists. After copying the works by Van Gogh and Qi Baishi, they felt deeply that through hands-on practice, they indeed gained more understanding of their works. It would not be easy but not so difficult either for one to really reach their artistic level. As for the Sunflowers by H.H. Dorje Chang Buddha III, they found it rather difficult to copy. Even though they tried many times, they had a hard time just copying the form, let alone the spirit.
The Sunflowers by H.H. Dorje Chang Buddha III clearly show the artist’s solid foundation and prolific skills in the Eastern and Western painting traditions. They comprise the essences in both traditions and display a brushwork, sentiment and colors that are one of a kind. The color tones and brushstrokes are rich, dense, soothing and elegant. Lively brushwork paints an animated charm that is whole, evincing a miraculous and expansive spirit and aura as well as a strong vitality. As for the Sunflowers oil painting in which H.H. Dorje Chang Buddha III depicted some flowers inside a vase, the artistry is extraordinary and full of variations; the composition is simple yet abstruse. The flowers are natural and gracious, such that they give an impression of unpredictability, reaching a state of oneness with the universe and emanating a sharp animated spirit.
The ink-wash painting Sunflowers by H.H. Dorje Chang Buddha III has an uninhibited, natural, and spontaneous brushwork that is dense, bold, and robust, but also elegant and agile. It exhibits a charm that is like stone and bronze inscriptions. Overall, the whole painting manifests a harmonious and moving imagery, naturally emanating a lively vivaciousness and a carefree, spirited aura.
In comparing the works by Van Gogh of the Western civilization, Qi Baishi of the Eastern culture, and H.H. Dorje Chang Buddha III, we can see the artists are distinguished in their unique own ways owing to their different cultures. However, only the artist who can continue to influence the world two to three hundred years from now will be the everlasting monument. There is a saying, “Talents emerge in every era and they all will each have 500 years of fame!” For people of the present day, the one whose work you like the best would be the one that is the most extraordinary!
Please see the contrast of six paintings below:
Sunflowers by Qi Baishi (1)
Sunflowers by Qi Baishi (2)
Ink-wash Painting Sunflowers by
H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by
H.H. Dorje Chang Buddha III
October 26, 2018
#DorjeChangBuddhaIII #DorjeChangBuddha #Buddha
The Explanation of the Buddha’s Title – “H.H. Dorje Chang Buddha III”
In particular, on December 12, 2012, the Senate Resolution No. 614 of the United States Congress officially used “His Holiness” in the name addressing Dorje Chang Buddha III (That is to say, “H.H. Dorje Chang Buddha III.”) Since then, the title and status of H.H. Dorje Chang Buddha III has been definitive by nature. And, as a matter of fact, “Dorje Chang Buddha III” is a name used legally in governmental and official legislative documents. Therefore, the previously used respected name and titles such as “Wan Ko Yee,” Great Master, and Great Dharma King no longer exist.
On Feb. 10th，2004 at the office of British Council in Washington DC Royal Academy Of Arts awarded Fellowship to Master Wan Ko Yee“H.H. Dorje Chang Buddha III.”. Master Yee is a world famous artist,a great Chinese painting artist, and the founder of Yun sculptures which are beyond natural beauty. The award of fellowship certificate and medal further confirmed Master’s extraordinary contribution to art of the whole world.
Royal Academy of Arts was founded by King George Ⅲin 1768.Up to now it has more than two hundred years history.It is a world famous art institute. Many seasoned artists wish to pursue advenced study at this Academy.But this Academy admits only twenty extraordinary artists each year from all over the world to take courses for three years.
Professor Phillip King,President of Royal Academy Of Arts,announced during the award ceremony: Royal Academy Of Arts has a profound history. Today we are honored toaward fellowship to the great artist and spiritual leader，Master Wan Ko Yee“H.H. Dorje Chang Buddha III.”. This is avery important and honorable event of our Academy in the past more than two hundred years since our establishment. Therefore Master Wan Ko Yee is the extraordinary art figure that we have been searching in more than two hundred years since our establishment and could not find until today. This is tremendous blessing of Roayl Academy Of Arts. our Academy has one hundred Royal Academicians,but there was no one who in the past more than two hundred years was awarded the above mentioned Fellow. This noble position is awarded to only the most distinguished artist in the world.
Sir David Manning,Ambassador of United Kingdom to the United States, accompanied by Professor Phillip King and Professor Brendan Neiland,Keeper of Royal Academy Of Arts,met with Master Wan Ko Yee“H.H. Dorje Chang Buddha III.” and hiswife Professor Yuhua Wang.Sir David Manning showed his respect for the achievement of Master Wan Ko Yee and congratulated him for receiving such an honor.Mr.Andy Mackay,Director of Culture Department,The British Embassy attended the award ceremony today.
#HHDorjeChangBuddhaIII #DorjeChangBuddhaIII #DorjeChangBuddha#Buddha #MasterWanKoYee #WanKoYee
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After 80 years, the authentic “Holy Fire-Offering Homa Dharma” was performed again to eliminates disasters, staves off hardships, removes hindrances and increases good fortune. The Vajra Maternal Buddha arrived in the sky and personally lit the fire.
(Reported by Nangqiong Nuosang) On September 19, 2018, one of tremendously holy virtue conducted a “Holy Fire-Offering Dharma Assembly” that was officially held at the Holy Miracles Temple in the United States. The dharma assembly took place at the Grand Hall of the Buddhas and the courtyard right outside the hall. It was a complete success.
The attendees of this dharma assembly, which is extremely rare and almost impossible to come by, attended under two types of karmic conditions. Under the first type of condition, there were direct attendees who are persons of holy virtue, eminent monastics, abbots of Buddhist temples, and leaders of Buddhist organizations. Their attendance was determined by a Yu-Zun, Wang Zha Shang-Zun, Mozhi Jiao-Zun, or Dharma King Gar Tongstan. Under the second type of condition, there were attendees whose attendance accorded with karmic conditions. They encountered the occasion by happenstance and hence attended the dharma assembly.
Fire-offering dharma is a great dharma in Buddhism. In Tibetan Buddhism, fire-offering is especially of significant importance. In places such as Tibet and India, even common people are almost all highly familiar with this well-known great dharma that eliminates disasters, staves off hardships, removes hindrances and increases good fortune. This Buddha-dharma is also known as the “Holy Fire-Offering Homa Dharma.” However, the authentic “Holy Fire-Offering Homa Dharma” is hardly performed even once in a hundred years. What people often attended were just regular fire-offering dharma assemblies. The empowerment produced from “Holy Fire-Offering Homa Dharma” and that produced from a regular fire-offering is as different as heaven and earth, as different as one step versus ten thousand miles.
When Wang Zha Shang-Zun and two great holy virtuous ones spoke about what they personally experienced, they said that in the last 100 years, the famous Master Pabongka, also known as the Great Sun Tathagata, and Kangsa Rinpoche, also known as the Great Moon Tathagata, had both performed this dharma. A great holy virtuous person of Gold Button Grade 2 said, “I have learned this dharma but have not succeeded in the practice of it. It appears that I am still lacking in dharma powers and abilities and that I still have to make efforts. In the last several decades, I have yet to see any great holy virtuous person, great dharma king, or great dharma master successfully practice a holy fire-offering dharma. If a holy fire-offering is not successfully performed, it can only have the effect of a regular fire-offering.”
What are the differences between a successful practice and an unsuccessful practice? First, people claim that the regular fire-offering dharma from the Tibetan tradition and the fire-offerings from the lineage of Eastern esoteric Buddhism (woodpile grand dharma assemblies) are so extraordinary. After looking into it, it turns out that the fire in these dharmas are lit by people. How could such empowerment be remotely compared to the empowerment from a fire ignited by Buddhas or holy deities? A holy fire-offering is different. It requires beseeching nine Tathagatas, Vajra Maternal Buddha, Prajna Maternal Buddha, and the holy assembly of dharma-protectors to personally arrive at the fire-mandala. It is an authentic holy fire-offering only when the Vajra Maternal Buddha arrives in the sky and personally lights the fire.
During this holy fire-offering dharma assembly, good and faithful Buddhists sat on both sides of the Grand Hall of the Buddhas. With watchful eyes, they personally witnessed in close proximity the whole process of that dharma assembly. The fire-offering mandala involves the use of numerous different dharma instruments. A cauldron was newly made for the fire-offering mandala just in time for the dharma assembly. It was a clean cauldron made of pure copper, with no electrical or ignition device inside. A flat table and all the dharma instruments, including the fire cauldron, were wiped thoroughly clean from top to bottom by more than ten volunteers on site. The fire cauldron was placed on that flat table. Pieces of sandalwood were put inside the cauldron. The table was then moved closer to the door of the Grand Hall.
The one of tremendously holy virtue who conducted the dharma performed the rituals in accordance with the dharma. The dharma seat of the one of tremendously holy virtue was about fifty meters away from the fire cauldron. Bodi Wentu Ru-Zun, a person of holy virtue at the level of Gold Button Grade 1, served as the “Fire-Ignition Guardian.” He soaked the fire stick with butter oil, then walked toward the fire cauldron. With each step he took, he chanted one mantra character. He originally intended to light the fire, but when he was about six meters away from the cauldron, he suddenly changed his mind. He stood still, looked up and said loudly, “This Holy Fire-Mandala Homa Dharma is being performed by the Namo One of Tremendously Holy Virtue. Would Vajra Maternal Buddha please ignite the fire. If Vajra Maternal Buddha does not ignite the fire, I, disciple Bodi Wentu, will ignite the fire.” He then made a deep bow. Standing at a place a distance away, the one of tremendously holy virtue then said loudly, “Would VajraMaternal Buddha please ignite the homa fire to eliminate hindrances for living beings and increase their good fortune!” As soon as those words were spoken, Vajra Maternal Buddha suddenly appeared in the sky. I saw Vajra Maternal Buddha flick her finger sending forth a flash of light. The fire inside the cauldron then ignited. Initially, there was no trace of fire inside the cauldron; then, suddenly, the cauldron was ablaze with raging fire. Bodi Wentu was so taken aback that he quickly moved away. He then immediately turned around and began to prostrate. When everyone there saw from close proximity the sudden ignition of the flames, they instantly knelt on the ground and kowtowed. Everyone was extremely excited. Subsequently, in accordance with the rituals, the attendees began to pray and burn homa-offerings.
A Buddhist disciple took the initiative to place the vajra demon-subduing bowl, which is used in a holy fire-offering, upside down on a small flat table. According to the meaning of the dharma, demons and evil karma from everyone attending the fire-offering are collected and subdued inside the bowl. The demons tried in vain to escape from the bowl, using all of their strength to shake the bowl. At this critical moment, a sound of “Hong” was heard! Vajra Maternal Buddha launched a flash of lightning, turning allthe malicious demons and black karma inside the bowl into pulverized powder. The souls of the demons were brought to a Buddha-land by Buddhas and Bodhisattvas to be edified under rigorous discipline.
All these times, the one of tremendously holy virtue remained at a distance and did not come close to any dharma instruments or dharma tables. Subsequently, the great dharma of “Secretly Sending a Petition to a Bodhisattva” was performed. All attendees on site heard the inverted vajra demon-subduing bowl that they were viewing, with itsopening completely sealed by the flat surface of the table, emit a loud sound of “Hong.” A flame resembling lightning swirled around the edge of bowl, then vanished. Thereafter, attendees of the assembly turned the bowl over and saw that there was nothing either under or inside the bowl. The “petition” secretly sent to the Bodhisattva had already been taken away. Under the watchful eyes of the assembly, the petition simply disappeared without a trace. The dharma of “Secretly Sending a Petition to a Bodhisattva” was successfully performed! Meanwhile, the burned demonic corpses emitted an extremely foul odor, much worse than any kind of stinky odor in the world. All those who sniffed the bowl found the foul odor so unbearable that their facial expressions looked distorted. The true state of the holy fire-offering dharma had been performed to perfection.
According to my understanding, the holy fire-offering dharma had not been successfully performed in more than eighty years. Everyone talked about it in theory, but Buddhas and Bodhisattvas did not appear. Regardless of who performed the dharma, there was not one holy homa dharma assembly that manifested the true state of the dharma like this one. That is to say, within the territory of Tibet, India, and other countries in the world, such a magnificent fire-offering dharma assembly did happen more than eighty years ago. Now is the second time it has happened, enabling us to personally witness and experience right then and there the supreme magnificence of the true dharma of the Tathagatas.
During this holy fire-offering dharma assembly, there were manifestations of unprecedented holy states and boundless mighty power. What is more magnificent is that the smoke from the fire-offering mandala rose up inside the grand hall, densely spreading over all of the top of the hall, yet the smoke detectors on the ceiling did not sound any alarm. That was so miraculous. Normally, when one is halfway through smoking a cigarette inside that grand hall, the alarm would sound, and water would sprinkle down. The power demonstrated by the Buddhas and Bodhisattvas in that holy dharma assembly was so marvelous and subtle.
Such were the extremely wonderful holy miracles from the holy homa fire-offering. The good and faithful Buddhists attendees were very moved. Even the well-known Mozhi Jiao-Zun lost his calm. He was so excited that his facial expression looked twisted. Everyone did their utmost to present offerings to the one of tremendously holy virtue, but the one of tremendously holy virtue did not accept even one cent, and simply told everyone to keep their offerings.
In this world, the Holy Miracles Temple has now established an authentic inner-tantric mandala because everyone on site personally witnessed the “Secretly Sending a Petition to a Bodhisattva.” However, the one of tremendously holy virtue said, “It would be best if you yourselves found one of greatly holy virtue to perform ‘Lifting theThree Vajra Phurbas.’ In this way, a real object can be placed there for worship to demonstrate that an inner-tantric mandala has truly been established.”
I personally attended that assembly in which the great dharma of the real holy fire-offering was performed. It made me deeply feel that what a great holy virtuous person said is correct: “A regular fire-offering in comparison to a holy fire-offering is like one hair in comparison to the hairs of nine oxen. It is just like child’s play.” No wonder a Jiao-Zun said, “The merit from a holy fire-offering in which Vajra Maternal Buddha appears in the sky to ignite the fire is several thousand times greater than the merit from a regular fire-offering in which a person ignites the fire.”
The fire cauldron, offering tables, and related dharma instruments used in that holy fire-offering will all be placed for worship at the Holy Miracles Temple.
At this point, I would also like to mention a very important matter. On September 19th after the holy fire-offering dharma assembly was successfully completed, the Namo one of tremendously holy virtue announced right then and there in the Grand Hall of the Buddhas: “Today’s great dharma assembly has already been conducted. Dharma King Gar Tongstan has been waiting for this dharma assembly. This is the last dharma assembly from which he receives empowerment.”
In an announcement issued by the World Buddhism Association Headquarters just a few days ago, Dharma King Gar Tongstan said that once a last dharma assembly is conducted, he would pass away as soon as possible in a state of liberation. Two dharma masters urged him to stay for the sake of propagating dharma to save living beings. The Dharma King said, “With the Buddha Master living in the world, my level of realization would not be of much use! Life is a dream. Sooner or later, one has to leave. When causes and conditions come together, there is illusory existence. With the ending of those conditions, such existence breaks down. That’s it. I won’t stay!” He also said, “I have control over my birth and death. I can leave at whatever time I want to leave. My situation is different from that of Zhao Yusheng, a person of holy virtue, who relied on Buddhas and Bodhisattvas to receive him at a set time.”
Dharma King Gar Tongstan truly fulfilled his words regarding his control over his own birth and death. On September 20th, the day after the dharma assembly, he took a bath, put on his dharma robe, and laid out stationary before his dharma seat. He wrote a farewell letter to H.H. Dorje Chang Buddha III in which he stated that he will “pass away in a state of liberation before the ink dries.” Having stated that in writing, once he put down his brush, he indeed instantly passed away in a state of liberation. Only someone who has attained freedom from birth and death can have such a state of accomplishment!
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(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(1/4)
(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(2/4)
(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(3/4)
(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(4/4)
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