發表於 Art of H.H. Dorje Chang Buddha III

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

US$900,000 -1

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA III SOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

US$900,000 -2THIS BROKE THE RECORD FOR THE HIGHEST MARKET VALUE  OF ANY CHINESE PAINTING IN HISTORY

 

An art auction was held on January 31st by the Master Wan Ko Yee International Cultural Institute. One of the paintings auctioned was a small-scale painting entitled “Ancient Village at Remote Mountain Spring” created and donated by H.H. Dorje Chang Buddha III. That painting is only 5.6 square inches, which is about one fourth the size of the palm of a hand. Forty-seven people began to bid on that painting. The final selling price was US$35,100, which equals US$902,571.42 per square foot. This is a record-breaking market value for any Chinese painting ever sold in history. Another donated painting, “Lotus Charm,” was created by Compassionate Mother Dr. Yuhua. It is a 2.3-square-foot Chinese painting of lotus flowers. The final selling price was US$50,100, which is US$21,782.6 per square foot.

 

On January 31st at the five-star San Gabriel Hilton, the Master Wan Ko Yee International Cultural Institute hosted an “Exhibition of National Treasure Level Works of Art by Compassionate Mother Dr. Yuhua and Auction of Small-Scale Art.” The Institute auctioned the paintings “Lotus Charm” and “Ancient Village at Remote Mountain Spring” to enhance the annual Chinese New Year Celebration that the Institute conducts for its members and to raise money for disaster relief in Haiti. Many dignitaries gathered at the crowded auction site. The many government officials who presented certificates  Dr. Yuhua for her artistic achievements also were present to witness the auction. A notary public from a notary public company was present during the auction to perform notarization.

 

COMPASSIONATE MOTHER DR. YUHUA IS THE PRE-EMINENT PAINTER OF LOTUS FLOWERS IN HISTORY; THE PAINTING “LOTUS CHARM” WAS SOLD AT A HIGH PRICE

Art created by Dr. Yuhua was specially exhibited by Congress at the nation’s Capitol. Furthermore, the Congressional Record stated that, “In the history of Chinese art, her lotus flower paintings are unsurpassed…” The Congressional Record also stated that her hand-sculpted and hand-painted faux coral and faux cobblestones are “treasures of the world.”

 

The painting “Lotus Charm” by Dr. Yuhua was, of course, a much sought-after work of art. The market value of an artist’s paintings is calculated on a per square foot basis. The minimum opening bid for the 2.3-square-foot “Lotus Charm” was US$10,000. Forty bidders entered the auction site to bid on that painting. The price was driven up by all of those many bidders, but in the end the winning bid was in the amount of US$50,100, or US$21,782.6 per square foot.

 

US$900,000 -3The lotus flower paintings by Dr. Yuhua are unsurpassed in the history of Chinese art. Her 2.3-square-foot lotus flower painting called “Lotus Charm” was auctioned for US$50,100.

 

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” EXPRESSES A LOFTY AND BROAD ARTISTIC CONCEPTION; THE ENERGY OF THE CLOUDY MOUNTAINS IS PALPABLE; SUCH A TINY PAINTING SEEMS TO CONTAIN THOUSANDS OF MOUNTAINS; BUYERS WERE BIDDING FURIOUSLY FOR IT

“Ancient Village at Remote Mountain Spring” is a small-scale painting created by H.H. Dorje Chang Buddha III, who donated it to be auctioned off. An artist who saw that painting said, “Although ‘Ancient Village at Remote Mountain Spring’ is as small as only one-fourth of the size of the palm of a hand, one can see curling mist, mountains, and cliffs. It truly is a magnificent landscape scene that expresses a lofty and broad artistic conception. The energy of the cloudy mountains is palpable. Such a tiny painting seems to contain thousands of mountains. It is not merely an ink-wash painting. Rather, it is a vivid landscape scene that is brimming with vitality!”

 

H.H. Dorje Chang Buddha III is a master artist who holds the record for the highest market value of any Chinese painting in the history of the world. In 2000, a painting by His Holiness called “Majesty” sold for more than US$2,120,000 at an international auction. Inscribed on that painting of a group of lions were the Chinese characters “Wan Ko.” It also was stamped with the seal His Holiness uses on His calligraphy and paintings. At another international auction, the painting “Venerable Da Li Won” sold for NT$72,000,000, which equals about US$2,220,000. In 2007, the International Buddhism Sangha Association openly sold a lotus flower painting by His Holiness on which the Chinese characters “Wan Ko” were inscribed. That painting, which is called “Two Flowers; One Lotus Capsule; One Dharma Nature,” sold for US$300,000 per square foot. Another painting by His Holiness entitled “Pasture in Spring” was inscribed with the holy Dharma King name “Wan Ko Yeshe Norbu,” contained the fingerprint of His Holiness, and was stamped with a Dharma King seal. A bidder for that painting offered US$540,000 per square foot.

 

Prior to January 31st, all of the paintings by H.H. Dorje Chang Buddha III offered for sale in the international art market were large-scale paintings. January 31st was the first time a small-scale painting by His Holiness was auctioned. As a result, that auction was the focus of much attention. The Chinese characters for “Dorje Chang III” were inscribed on the painting “Ancient Village at Remote Mountain Spring.”  On the back of that painting are the fingerprint and seal of His Holiness. The minimum opening bid for that work of art was US$8,000. After rounds of intense bidding, the final selling price was US$35,100, which is a market value of US$902,571.42 per square foot. This broke the record for the highest market value per square foot of any Chinese painting in history.

 

US$900,000 -4The small-scale painting “Ancient Village at Remote Mountain Spring” is only one fourth the size of the palm of a hand, yet it expresses a lofty and broad artistic conception and seems to contain thousands of mountains. It broke the record for the highest market value per square foot of any Chinese painting in history

 

THERE IS A GREAT POTENTIAL FOR PAINTINGS BY H.H. DORJE CHANG BUDDHA III TO APPRECIATE IN VALUE; COUNTERFEIT PAINTINGS HAVE APPEARED IN THE MARKETPLACE

There are many people in the world today who collect paintings by H.H. Dorje Chang Buddha III (whose secular name is Master Wan Ko Yee). For example, Guoxing Wang, who is ranked seventh among the ten great and famous Chinese painters, collected several dozen paintings by Master Wan Ko Yee. However, according to appraisals made by Chinese artists, many of those paintings are counterfeit but were stamped with genuine seals. In recent times, numerous counterfeit paintings supposedly created by Master Wan Ko Yee have appeared in society. The reason behind this is that long ago various people in society used various means to collect seals previously used by Master Wan Ko Yee on paintings and calligraphic works as well as personal seals previously used by Master Wan Ko Yee. This has resulted in the confusing situation where counterfeit paintings are stamped with genuine seals.

 

It has already been publicly revealed that Master Wan Ko Yee has been recognized by eminent monastics and greatly virtuous people around the world as being the true incarnation of Dorje Chang Buddha III. Works of art created by H.H. Dorje Chang Buddha III now contain His fingerprint. Now, all authentic works of art by His Holiness contain His fingerprint. This fingerprint cannot be counterfeited by anyone. More importantly, information about all of the paintings by H.H. Dorje Chang Buddha III is contained in computer files that can be checked. Anyone who wants to buy a painting by His Holiness should first have that painting authenticated by the Calligraphy and Paintings Authentication Committee jointly established by Superb Art Museum of America, United International World Buddhism Association Headquarters, and International Buddhism Sangha Association. That way, one can avoid being deceived into buying a counterfeit painting.

 

Any authentic painting that contains the fingerprint of H.H. Dorje Chang Buddha III and about which information is contained in a computer file has great potential to appreciate in value. For example, the painting “Majesty” sold for US$66,250 per square foot in 2000. Ten years later, the current market value for a painting by His Holiness is US$902,571 per square foot, which is about a 13.6-fold increase in value. After the true identity of H.H. Dorje Chang Buddha III was revealed to the world, His Holiness has not had time to paint paintings. Therefore, each of His paintings is extremely valuable and difficult to purchase even with a large sum of money. One can imagine how many times more valuable a painting by H.H. Dorje Chang Buddha III will be ten years from now. Paintings by His Holiness have the potential to appreciate in value at least several dozen times more than the amount they appreciated in value over the past ten years. It is no wonder that so many people furiously bid on one of His Holiness’s paintings.

 

“KING” AND “WHITE JADE TREASURE” ARE HIGEST-GRADE FAUX CORAL WORKS OF ART THAT DR. YUHUA HAND-SCULPTED AND HAND-PAINTED

The following art created by Compassionate Mother Dr. Yuhua was displayed at the exhibition: ten lotus flower paintings and two faux coral sculptures called “Supreme Treasure of the Dragon King’s Palace―King” and “Supreme Treasure of the Dragon King’s Palace―White Jade Treasure” (which includes a matching flower vase called Hong Luo Xiu). The latter two works are hand-sculpted and hand-painted word-class, flawless art of the highest quality that were publicly displayed for the first time at the exhibition. The organization hosting the exhibition stated that all of the exhibits created by Dr. Yuhua were borrowed from Superb Art Museum of America.

 

The first reaction that many had when viewing “Supreme Treasure of the Dragon King’s Palace―King” was, “How is this possible?” They were amazed that there is such huge “coral” in the world. No coral can be found in any of the world’s oceans that is as magnificent, gorgeous, and elegant as this faux coral. It indeed deserves to be called “Supreme Treasure of the Dragon King’s Palace―King.”

 

The other faux coral sculpture, “Supreme Treasure of the Dragon King’s Palace―White Jade Treasure,” conveys a sense of natural excellence and soft gracefulness that can spring only from the creativity of a remarkable artist. It is a marvelous creation that excels nature’s coral. All who viewed it were amazed. Although all of the faux coral of this sculpture is white, there are many variations of white. Its natural appearance is inexhaustibly beautiful. Most importantly, it provides the viewer with a feeling of comfort and beauty. An expert art critic said, “This is not like ocean coral. It was created from scratch with special material. It is a masterful work of art that was hand-sculpted, painted with oil colors, and polished. It has ample variations of hues and is as lustrous as jade or pearls. Its texture is genuine-looking. Not only does it appear no different from real coral, it even looks much more ancient, elegant, and beautiful than real coral. It is clear that Dr. Yuhua’s painting skills are truly amazing. Having such skills requires cultivation, knowledge, and talent. Having only knowledge and talent is not enough. A high level of concentration is also required. Otherwise, one’s inner-creativity will not emerge in the process of painting. These Chinese paintings and sculptures of hers can truly be called works that embody the highest artistic skills in the world!”

 

Lotus flower paintings and landscape paintings by other famous Chinese artists were also displayed at the exhibition. By contrast, the lotus flower paintings by Compassionate Mother Dr. Yuhua were vivid, smooth, vigorous, and lively. Her paintings lack even the slightest trace of mediocrity. There is no way that anyone can copy them. It is no wonder that the United States Congressional Record stated her lotus flower paintings are unsurpassed in the history of Chinese art.

 

According to the estimate of a person affiliated with Superb Art Museum of America, the faux coral works “King” and “White Jade Treasure” are each worth between US$7,000,000 and US$9,000,000. However, those two works have already been given to Superb Art Museum of America, a non-profit public charity organization, and therefore are not for sale.

 

MANY DIGNITARIES ATTENDED THIS EVENT; FEDERAL AND LOCAL OFFICIALS PRESENTED CERTIFICATES COMMENDING DR. YUHUA FOR HER ACHEIVEMENTS

Many dignitaries or their representatives attended the exhibition and presented certificates to honor the achievements of Dr. Yuhua or to congratulate her. Among those dignitaries who attended in person or through their representatives were Congresswoman Dianne Watson, Congressman Adam Schiff, Congresswoman Judy Chu, California State Assemblymen, the California State Controller, the five supervisors of Los Angeles County Board of Supervisors, the mayor of Pomona, the mayor of Cerritos, the Vice-Mayor of Alhambra, the mayor of Monterey Park, the mayor of South Pasadena, the mayor of Redondo Beach, the Sherriff of Los Angeles County, and others. There was a continuous flow of people who attended the exhibition, making a very grand occasion indeed.

 

THE PAINTING “ANCIENT VILLAGE AT REMOTE MOUNTAIN SPRING” BY H.H. DORJE CHANG BUDDHA IIISOLD FOR MORE THAN US$900,000 PER SQUARE FOOT AT A PUBLIC AUCTION

 

Link: http://dharma-hhdorjechangbuddhaiii.org/the-painting-ancient-village-at-remote-mountain-spring-by-h-h-dorje-chang-buddha-iii-sold-for-more-than-us900000-per-square-foot-at-a-public-auction/

#HHDorjeChangBuddhaIII #DorjeChangBuddhaIII #DorjeChangBuddha#Buddha #DharmaDharma#Buddhism 

發表於 Art of H.H. Dorje Chang Buddha III

Admiration for the Chinese Paintings of H.H. Dorje Chang Buddha III

Admiration for the Chinese Paintings of

Admiration for the Chinese Paintings of

H.H. Dorje Chang Buddha III

 

H.H. Dorje Chang Buddha III is the only unprecedented Master of Arts in the world. The accomplishments and contribution of H.H. Dorje Chang Buddha III can be found in many areas. Ever since the history of Buddhism in the world, no Buddhist figure has excelled H.H. Dorje Chang Buddha III in the mastery of the Five Vidyas. For example, in the art of painting, the Chinese paintings or western oil paintings by H.H. Dorje Chang Buddha III all have reached apex. The art Works of H.H. Dorje Chang Buddha III fall into many subject matters including figures, landscape, flowers, birds, fish, or insects and various techniques such as meticulous painting, freehand brushwork, splash-ink style, or heavy colors. In all these areas, His Holiness has demonstrated high, magnificent nobility, transcendental character and perfection in art. H. H. Dorje Chang Buddha III is a true top Master of Art who lives to his name in the world.

 

 

Link:http://dharma-hhdorjechangbuddhaiii.org/admiration-for-the-chinese-paintings-of-h-h-dorje-chang-buddha-iii/

 

#HHDorjeChangBuddhaIII #DorjeChangBuddha #Buddha #Buddhist #Art #peace #Dharma #Buddhism

發表於 Art of H.H. Dorje Chang Buddha III

H.H. Dorje Chang Buddha III’s Painting Titled “Ink Lotus” Was Auctioned at a Staggeringly High Price at Gianguan Spring Auction

H.H. Dorje Chang Buddha III_s Painting Titled InkLotus Was Auctioned-1

H.H. Dorje Chang Buddha III’s Painting Titled “InkLotus” Was Auctioned

at a Staggeringly High Price at Gianguan Spring Auction

(Reported from New York, published by World Journal at: http://www.worldjournal.com/3101932/article)

 

 

The Spring Auction held by Gianguan Auctions very recently marks the first time in which so many great artworks by renowned artists are gathered together, which wowed viewers and sent buyers from all countries into a bidding frenzy. Of all of the works, “Ink Lotus” by the contemporary H.H. Dorje Chang Buddha III was deemed supreme in both merit and value. Paintings and calligraphy by H.H. Dorje Chang Buddha III are difficult to come by, and even more difficult to acquire. According to auction specialists, the International Art Museum of America has offered to purchase H.H. Dorje Chang Buddha III’s sunflower and water lily oil paintings for over $1,000,000 per square foot, but has yet to acquire the paintings due to unsuccessful price negotiations. At Gianguan’s Spring Auction, this painting was sold at the highest price. surpassing that of works by renowned artists past and present, and trumping by multiple times the selling price of all works by famed historical and contemporary masters sold at the spring auction, such as those of Shi Tao, Wu Changshuo, Yun Nantian, Qi Baishi, Zhang Daqian, Xu Beihong, Fu Baoshi, Pan Tianshou, Li Keran, Huang Binhong, Wu Guanzhong, and even the Five Dynasties’ Juran, the Southern Song Dynasty’s Su Hanchen, and Wen Zhengming and Zheng Banqiao of the Ming/Qing Dynasty.

 

H.H. Dorje Chang Buddha III_s Painting Titled InkLotus Was Auctioned-2    “Ink Lotus” by H.H. Dorje Chang Buddha III

 

H.H. Dorje Chang Buddha III is a world-class master artist, as well as the highest world leader of Buddhism: in 2012 the United States Senate unanimously voted to approve the resolution to honor H.H. Dorje Chang Buddha III’s contribution to humanity, and conferred the title of His Holiness upon Dorje Chang Buddha III. H.H. Dorje Chang Buddha III is also the only Buddha in the world to have a Buddha Day— “H.H. Dorje Chang Buddha III Day,” proclaimed in writing by the mayor of Washington D. C. on January 19th, 2011. The USPS approved the issuance of a commemorative first-day cover envelope in honor of H.H. Dorje Chang Buddha III Day. H.H. Dorje Chang Buddha III has also received countless awards, including the World Peace Prize, the Presidential Gold Medal, the Congressional Republican Gold Medal, the International Leader Award, and the Martin Luther King Award, among others. H.H. Dorje Chang Buddha III is also a Fellow of Britain’s Royal Academy of Arts, and the only Fellow appointed in the Academy’s two hundred year history. The fellowship was awarded by the Academy’s President Phillip King, at a ceremony in the British Embassy in Washington. Furthermore, H.H. Dorje Chang Buddha III’s paintings are rare and hard to come by, as they are almost never found in circulation in society. All originals feature a three-dimensional fingerprint as authentication.

For information about Gianguan Auctions:

Website: http://www.gianguanauctions.com

Phone: 212-867-7288

 

Link: http://dharma-hhdorjechangbuddhaiii.org/16-5-m-for-dorje-chang-buddha-painting-breaks-record/

#HHDorjeChangBuddhaIII #DorjeChangBuddha #Buddha #ART #ChineseArt #InkLotus #Painting #ChinesePainting #WorldPeacePrize

發表於 Art of H.H. Dorje Chang Buddha III

Chinese Paintings of H.H. Dorje Chang Buddha III ─ The Manifestation of the Craftsmanship Vidya of a Consummate Artist

Chinese Paintings of H.H. Dorje Chang Buddha III

Chinese Paintings of H.H. Dorje Chang Buddha III

─ The Manifestation of the Craftsmanship Vidya of a Consummate Artist

Chinese Paintings of H.H. Dorje Chang Buddha III-2

In his art, H.H. Dorje Chang Buddha III has indeed assimilated the essence of traditional Chinese painting. Not only has His Holiness leaned from the painting traditions of Song, Yuan, Ming, and Qing dynasty scholars, His Holiness has also easily mastered the grand and vigorous style of pre-Song dynasty painting, Yet, H. H. Dorje Chang Buddha III has not merely emulated the techniques of any one painter or any one school. His Holiness has learned from ancient artistry and has also learned from nature. Combining the two, His Holiness has created a novel and unique style of his own. From a careful examination of paintings by H.H. Dorje Chang Buddha III, it is not difficult to see the legacy of tradition and the spirit of originality. The paintings of previous generations of Chinese artists cannot match His Holiness’s paintings. *

The appreciation of every painting will bring us to a state that is beyond words. With our ordinary eyes, it is impossible for us to perceive the kind of level it requires for one to be able to create such details and vividness in a painting. We can only say that the manifestation of the Craftsmanship Vidya of H.H. Dorje Chang Buddha III proves to us the magnificence of Buddha Dharma.

*Please refer to H.H. Dorje Chang Buddha III-a Treasury of True Buddha-Dharma p. 391

Link: http://dharma-hhdorjechangbuddhaiii.org/chinese-paintings-of-h-h-dorje-chang-buddha-iii-%E2%94%80-the-manifestation-of-the-craftsmanship-vidya-of-a-consummate-artist/

#HHDorjeChangBuddhaIII #DorjeChangBuddha #Buddha #ChinesePainting #Buddha-dharma #HisHoliness #FiveVidya #Painting

發表於 Art of H.H. Dorje Chang Buddha III

H.H. Dorje Chang Buddha III Calligraphy- An example of a qi jue poem

H.H. Dorje Chang Buddha III- Calligraphy

 

H.H. Dorje Chang Buddha III- Calligraphy

An example of a qi jue poem

04-12 p250-340Calligraphy of H.H. Dorje Chang Buddha III- An example of a qi jue poem

 

From ancient times to the present, no product of an art or field of study has been able to reflect a person’s moral character and knowledge—except for calligraphy. The aura created by a person’s achievements or creations in a certain form of art or field of study often covers up his shortcomings in knowledge and character. However, calligraphy is an exception to this rule. Calligraphy is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through each stroke of the brush. There is no way to conceal such things. When looking at the quality of a person’s ordinary writing of Chinese characters, most people can discern the level of that person’s education. This is all the more true with respect to looking at a person’s calligraphy.

One cannot find in any history book an unknowledgeable person who has made a contribution to calligraphy. Those with profound and extensive knowledge are not necessarily proficient in calligraphy. However, a great calligrapher must have both knowledge and good brushwork. Without exception, all of the famous calligraphers throughout the generations were great masters of literature who had profound knowledge. Examples of this include ancient calligraphers such as Xizhi Wang, Su Huai, Shaoji He, Huaiguan Zhang, and Fei Yue. A modern example is Youren Yu. Each one of them was an extremely learned literary giant and paragon of virtue.

Knowledge is the pillar and cornerstone of calligraphy. Moral character can be seen in the style and charm of calligraphy. Thus, calligraphy requires both knowledge and moral character.

The calligraphy of H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata is not bound by worldly conventions and is devoid of unnecessary flamboyance. It is highly refined and based upon ingenious artistic conception. His Holiness’s strokes are sometimes written in a swift curling style. However, in an instant, His Holiness can express the innocent and natural charm of a child. There is wonder in even common strokes. His calligraphy is naturally graceful, exhibiting depth and brilliance. The calligraphy of His Holiness contains an invisible force that makes the characters seem much grander than they appear on a superficial level. His strokes look harmoniously smooth and unbroken. The Chinese characters may appear strong and vigorous, like a soaring dragon or mighty tiger. They may appear clear and gently elegant, like slowly floating clouds, cranes flying among pine trees, or dancing swans. They may appear simple and unadorned, like the free heart of a child. They are gracefully understated and completely devoid of any mundane quality. The calligraphy of H.H. Dorje Chang Buddha III is natural in quality and resonates with the true nature of the universe. A deep power underlies His Holiness’s strokes.

The ability of H.H. Dorje Chang Buddha III to reach such great heights in calligraphy is completely due to His Holiness’s vast knowledge and profound talents. Of course, His Holiness is extremely adept at learning from the styles of others since this is a simple matter for a Buddha. For example, even in the initial stage of learning calligraphy, H.H. Dorje Chang Buddha III had solid skills in the traditional cursive style of writing and also had extensive learning. We can see from the first calligraphic work in this book the adroitness His Holiness had when He was first learning this cursive script.

There is also a qi jue poem written by H.H. Dorje Chang Buddha III. A qi jue poem is a four-line poem with seven characters to a line and a strict tonal pattern and rhyme scheme. The phonetic reading of the poem is as follows: “hua gong ri yue li yang tian, xi cheng xi feng liu yue xian, gu peng lai cong ba sheng wang, shi zhi shu qi yi dong can.” One can see that this work has surpassed all traces of the mundane and has transcended all earthly impurities. Its style is lofty and pure.

When that poem was written, H.H. Dorje Chang Buddha III was living in the seclusion of an ancient temple. His Holiness used his extraordinary realization to express his thoughts and feelings. The first line expresses that although His Holiness lived alone and secluded in the room of a temple, He governed the universe and bestowed blessings upon living beings. Thus, the first line reads, “hua gong ri yue li yang tian.”

The next line, “xi cheng xi feng liu yue xian,” conveys the scene that during the idle month of June H.H. Dorje Chang Buddha III bathed in the Buddhastate of coolness while under the scorching sun. His Holiness was free of all worldly cares and attachments, and his body merged with the universe. When friends came, His Holiness heard the horns of their cars, but He had already transcended the world, residing in quietude and non-action. H.H. Dorje Chang Buddha III kept no notion of the date, and His Holiness’s mind did not abide in anything whatsoever. The people of the world were ignorantly attached to the changing seasons and came in their cars and horses to inform H.H. Dorje Chang Buddha III that summer had long passed and the winter was about to end. The ancient Buddha acknowledged this and smiled.

One can see from this how the calligraphy of H.H. Dorje Chang Buddha III has completely transcended the mundane. It is the calligraphy of a true Buddha. His Holiness’s calligraphic skills have reached such a pinnacle due to His complete realization in the Five Vidyas.

In recent years, there are works of H.H. Dorje Chang Buddha III that have been written in the cursive mode of calligraphy, showing a flowing and unobstructed style, and expressing even more than before the charm of this writing technique. For example, the work Fei Cui Jade expresses the spirit of an immortal or Buddha, thoroughly transcending the three worlds of reincarnation, standing proudly above the five elements of the universe. It is truly calligraphy beyond the category of calligraphy, expressing a feeling that incorporates the whole universe.

His Holiness’s calligraphy of the Chinese characters lang ga luo bu (Treasure of Heaven) excels the writing of calligraphers throughout history. It transcends all traces of worldliness. It expresses deep strength, like that which can break jade. The style of another calligraphic work called wu wo nai da cheng (No-Self Is Great Accomplishment), conveys the firmness and simplicity of steel and the vigor of a sharp knife. However, these same characters also contain delicate beauty. That calligraphic style truly surpasses styles of the past and present.

Another calligraphic style of H.H. Dorje Chang Buddha III is revealed in the writing of the Chinese characters xiao bu dian (Tiny). Such calligraphy shows the childlike innocence of a very old man, and its arrangement expresses the utmost ease and lack of rigid constraints. It is high-class calligraphy that does not even seem to be calligraphy. It is so elegant and refined that it completely transcends the mundane.

Beholding the character sheng (holy) written by His Holiness, one can see that it simultaneously embodies both the softness of ribbons and the innerfirmness of steel. Its inner beauty flows to the surface. Another example is the character fo, which means Buddha. The writing of that character demonstrates that His Holiness has truly attained the summit of calligraphic skills that the ancients extolled in the old saying, “the old pine branch cannot be weighed down by heavy snow; the might of a brush will lift a thousand-pound bronze cauldron.”

In fact, the calligraphy of H.H. Dorje Chang Buddha III has a deep foundation and an internal richness. It embodies the manifold sensations that one could possibly experience in one lifetime. The essence of all things in the universe converges at the tip of His Holiness’s brush. With such a transcendent state of realization, the myriad things of the universe are in the palm of this Buddha. The calligraphy of H.H. Dorje Chang Buddha III is like a treasury. It can be vigorous, smooth, or naturally beautiful. His Holiness incorporates the best techniques of all of the schools of calligraphy. No words can really describe this! If you want to see lively and energetic flourishes of the brush, you can. If you want to see characters with adamantine firmness, you can. If you want to see strength within softness, you can. If you want to see the childlike innocence of a very old man, you can. If you want to see charm, purity, and wonder, you can. In other words, His Holiness’s calligraphic skills have reached the highest degree of proficiency and naturalness that only a Buddha could reach!

Link: https://goo.gl/1RSBEp

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發表於 Art of H.H. Dorje Chang Buddha III

A Rock of Horizontal Charm by H.H. Dorje Chang Buddha III

A Rock of Horizontal Charm by H.H. Dorje Chang Buddha III-1

A Rock of Horizontal Charm by H.H. Dorje Chang Buddha III

 

A Rock of Horizontal Charm by H.H. Dorje Chang Buddha III-2A Rock of Horizontal Charm by H.H. Dorje Chang BuddhaIII

The sculpture A Rock of Horizontal Charm is a masterpiece of Yun Sculpture, embodying the spirit of an art surpassing the beauty of nature, created by H.H. Dorje Chang Buddha III for humankind. Derived from an art form created by H.H. Dorje Chang Buddha III that possesses beauty beyond nature’s, it has attained a realm –never before seen in human history – of artistry transcending nature, originating an art form in this world that is irreplicable by any craftsman or high technology.
Granted, more than ten years ago, we had already heard someone call a particular sculpture a “peerless treasure.” To speak truthfully, however, we could not concur with such an appellation. “Peerless” is not a word to use lightly. Only that which is truly in a league of its own in the world can properly be called peerless. A “peerless treasure” must attain the pinnacle of unrivaled preciousness in order to be so named. From ancient times to the present, how many sculptures can truly be christened a peerless treasure? It can be said that not even one can be found. Even the He Shi Bi (the Jade Disc of He), recorded in history as a treasure of monumental value, does not fit the title of “peerless treasure,” since it is completely replicable— and if it can be replicated, it is not unique; if it is not unique, it is not peerless. In fact, any master sculptor’s magnum opus can be recreated and, on this basis alone, is unfit to be designated a “peerless treasure”!
Our most indelible encounter with the appellation of “peerless treasure” came in 2017, when we saw the sculpture A Rock of Horizontal Charm for the first time. We were immediately awestruck, and in the moment we were simply moved to praise it from the heart, unable to find the most appropriate laurel with which to crown it, and could only pronounce that the laurel of “peerless treasure” belongs to no other! Therefore, this museum has named the room in which A Rock of Horizontal Charm is exhibited, “Peerless Treasure.” Just how remarkable is this sculpture? We must acknowledge that its extraordinary charm and beauteous spirit exceeds the highest realm of human sculpture, and truly manifests

Endless changes of spirit and feelings unfold
Mysterious motions envelop wonders untold
Only in heaven is such a presence found
No handiwork of artisan earthly bound

This divine sculpture is ranked the first, as the “emperor,” and will be shown to the public for the first time; while the second-ranked empress, Mystery of Lovely Colors, is exhibited in the Treasury of the International Art Museum of America; and the fourth-ranked little princess Yellow Yellow has been hailed by a viewer —during its exhibition at the Gold Room of a Congressional House office building on Capitol Hill— as “a gift from God to mankind.” These Wondrous Multicolored Sculptures are treasures of art irreplicable by any craftsman, expert, or high technology.
For the first time in the world, H.H. Dorje Chang Buddha III has created an irreplicable art, and one can only say that when the Yun Sculpture appears, the most gorgeous jewels of the world lose their luster, just as the stars all pale against the resplendent moon. Its beauty is truly soul-enrapturing.

Article from: http://www.hhdcb3cam.org/htmlpages/exhibits/arohc/ 

 

Link: https://goo.gl/Rs6iQe

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